Playwright Kimberly Belflower shares what the Melodrama single can teach us about the ferocity and magic of teenage girls.

Playwright Kimberly Belflower and director Danya Taymor reveal how the Tony-nominated play 'John Proctor Is the Villain' made it to Broadway, with help from 'Stranger Things' star Sadie Sink and pop ...

Maryland Ensemble Theatre has revealed their 28th season of MainStage and FUN Company Shows, as well as MET Comedy Night ...

As with many of Miller’s plays, the success of The Crucible depends on the strength of the cast. The cast at Carlisle Theatre does not disappoint—they deliver an intense performance that ...

The writer reveals an acute ear for the way her teenage characters communicate, whether in clipped, sharp exchanges or intimate colloquies. (Occasionally one sounds more like a breathlessly ...

Broadway review by Raven Snook. It is 2018, at the height of the #MeToo movement, and an 11th-grade honors English class in small-town Georgia is studying The Crucible, Arthur Miller’s classic ...

But #MeToo is not merely a premise or backdrop. Playwright Kimberly Belflower has crafted a compelling rebuttal to “The Crucible” and the way it is most often read (as the title makes clear).

Certainly “The Crucible” is ripe for that. After Proctor, who is married, dismisses Abigail Williams, the 17-year-old servant he’d been sleeping with, she accuses him, and others, of witchcraft.

Playwright Kimberly Belflower and director Danya Taymor reveal how the Tony-nominated play 'John Proctor Is the Villain' made it to Broadway, with help from 'Stranger Things' star Sadie Sink and ...